The Oppression of Ladies in The Awakening by Kate Chopin and The Yellowish Wallpaper by Charlotte Perkins Gillman
Kate Chopin’s The Awakening and Charlotte Perkin’s “The Yellow Wallpaper” were both primarily released in 1899 (Mahin). A period in which women were not viewed as any other thing more than wives and moms. Both texts present similar tales of the oppression of females within a certain society. They both include a tone of feminist bias, because they are both narrated from a female’s viewpoint. In both testimonies, the lead characters struggle to handle the restrictive conventions of an anti-feminist society. Similarly, both these stories have a tragic ending; The Awakening ends with a suicide while “The Yellow Wallpaper” ends in insanity. Some persons may argue that because both lead personas are flawed by their mental instability, the tales are told by unreliable narrators. However, both women quit their sanity and their life instead of endure enslavement by culture. They view separation from the conscious environment as their only get away, their only way to achieve comprehensive liberation from their oppressive male-dominant contemporary society. The tragic endings in both The Awakening and The Yellow Wallpaper serve as a cry for the injustice of ladies in a male-dominated society.
Female liberation and empowerment (feminism) is a thought-provoking subject in both Chopin’s and Gilman’s do the job, because both main characters resort to such drastic actions so that you can obtain their individual freedom. For instance, after Mrs. Pontellier relocated out of her husband’s house, she still was dissatisfied with her lifestyle and had to vacation resort to taking her unique life and discover escape. Similarly, the key character of Gilman’s report, having struggled with confinement and isolation, finally descended into